My practice exists at the intersection of trade, art, and science. Through fire bent glass and illuminated gas, I create electric beacons that transform commercial signage into objects of devotion and cultural commentary.
I bend glass tubing over flame, bombard the tubes with high voltage, and seal them with noble gases. There's an alchemy in this work. Glass from sand, gases from air, transformed into vivid light. Nearly a decade with this demanding medium has taught me that failure and success are inseparable teachers.
My work draws from urban visual language with bold, iconic images in saturated color. Where advertising sells products, my pieces offer phrases of love and urgency, the imperative to seize the moment. Neon carries inherent nostalgia of late nights and glowing landmarks guiding lovers through the dark.
Each piece is a shrine, a luminous altar to fleeting moments and human connection. Conceived as site specific for public spaces, restaurants, galleries, or private collections, my work blurs the line between commercial and art contexts, turning the familiar glow of neon into something sacred, urgent, and alive.
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